Showing posts with label October Extras 2. Show all posts
Showing posts with label October Extras 2. Show all posts

October Extras 2: Armageddon (1998)

OCTOBER 31, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2008 (DVD)

Last year on Halloween I did a sort of running commentary “review” of, well, Halloween, to close out my October Extras series. So to close off the 2nd (and final) round of OE, in which I’ve been sticking to NON-horror movies, I felt that the only way to go would be to give the same treatment to my beloved Armageddon. Of all the things I love, I get the most shit for this one, and hopefully by the end of the review, you will understand why I hold it so dear, if not actually agree with my sentiment. Since it’s not as beloved as Halloween (and thus readers won’t know it well enough to know what I am referring to), I will give a timecode so you can sort of understand what scenes I am talking about.

Please note – this is based on the director’s cut, available from Criterion. The timecode won’t really match up after the “last night on Earth” scene, which is where the bulk of the additions lie, if you are using the theatrical version.

EAT IT, FILM SNOBS!

00:00:12 Ah, the Bruckheimer logo. Still in its infancy, as it was only the 2nd film he released without Don Simpson (the other was Con Air – so this was the moment he became a hero. Sadly it’s been pretty much downhill since).

00:00:53 Heston has spoken! Already, people were bitching about the movie’s accuracy, because the Asteroid hit that Heston describes happened millions of years ago and yet the Earth model shows the current configuration. Hey guess what? FUCK THE FUCK YOU! IT’S A FUCKING BRUCE WILLIS MOVIE ABOUT BLOWING UP AN ASTEROID! Jesus assraping Christ, I can’t stand people who watch movies with idiotic plots and bitch about inaccuracy. Like the movie was this pinnacle of intelligence and logic, and it was all blown because the CGI planet had the wrong design. Shut the fuck up and eat your popcorn.

00:03:54 OK I’ll give em this one though – the shuttle blows up, Truman asks to play the tape back... and it’s edited together. Not even Bay could edit that fast!

00:04:26 The only minimal thing about this entire movie is the font on the credits. Seems like they should be exploding or in a “cool” font or something, but it’s like a standard 18 point Times New Roman deal.

00:05:32 Keith David! Five minutes in and our badass count is at two (other being Billy Bob). Actually three if you count Heston.

00:06:09 “Adaptation by” is one writing credit I have never understood. This isn’t based on a book. What did they adapt?

00:06:45 Hey allright, making fun of Godzilla. It came out the same summer and featured some of the same shit being destroyed, and it was boring. Why does Armageddon still get shit but not that goddamn movie? At least Armageddon wasn’t bastardizing a beloved character. Unless you count America as a character.

00:08:17 Suddam Hussein is dead, my friend. Way to date the movie.

00:08:31 Heh, the “I Love NY” guy getting killed tickles me. Bay has a bit of a mean streak that he’s sort of abandoned (other than Bad Boys II and his horror productions) since this movie.

00:10:10 Dottie! I love this line. In the original(ish) script, instead of Carl the ex navy guy, it was a couple of computer hacker guys. They would more or less resurface in Transformers. Bay never wastes an idea!

00:10:49 It’s the same president from The Rock! As the two films only share secondary actors (various military/NASA personnel) I like to think they are in the same universe.

00:11:31 The trailer actually sells this concept better than the movie. In the trailer, he says the basketballs and Volkswagens line BEFORE the “It’s the size of Texas” one. Way more powerful. Bad editing choice!

00:11:51 At long last, WILLIS!!! You can’t help but love a movie that introduces its hero as a guy who endangers the lives of Greenpeace hippies by hitting golf balls at them.

00:12:20 Will Patton too! Badass count is what, 5 now?

00:12:51 Well, Affleck sort of negates one of them. He’s OK in this movie, but he was still in his prettyboy phase. He’s much more interesting now.

00:14:15 My lady Liv Tyler. Part of why Willis is my hero? He totally boinked her during filming. And she plays his daughter. Man, that is hot.

00:14:47 A Bay tradition! Swirling the camera around during a scene with some dialogue to make it seem exciting. Totally works.

00:15:20 And now Willis runs around with a shotgun. I think this is the moment most douchebags in the audience gave up on the movie entirely. I think the scene is funny. Shows that they’re all immature (Willis purposely misses! He’s not really trying to kill him, Christ.), introduces a bunch of the guys... it’s nonsensical, sure, but beats him and Affleck talking it out like normal people. Again – the movie is dragon-less fantasy.

00:17:04 OK this scene bugs me. The last time we saw Billy Bob, he was telling everyone to give them any ideas they had, even if it was a doodle on a pizza box. Now they are presenting some ideas that seem OK by me and he’s shooting them all down instantly, and then he yells at them for presenting him with stupid ideas! Billy Bob, you can’t have your cake and eat it too man! Though he DID cheat on Angelina so much that she made him go to sex therapy, and then he fucked his sex therapist, so I dunno, maybe he can.

00:17:53 OK freeze it here – there’s a sign in the background that says “If you’re swearing, you’re swimming”. It was thrown up to provide a reason why none of these guys swear (PG-13), but you can barely see the damn thing. Also, back when Bruce had his own messageboard, I got reprimanded for swearing, and I brought the sign up. No one knew what the fuck I was talking about.

00:19:33 Billy Bob has one of the best lines here. “Pretty much the smartest man in the world, you might wanna listen to him.” Heh.

00:20:33 Here we go! “WE DRILL” FUCK YES. I have to pause here so I can write, because I’ll miss other shit. Look, 20 minutes into the movie they tell you everything you need to know. They are going to send oil drillers (possibly the same nuts we just met!) into space to blow up an asteroid. That is the most gung-ho, silly/awesome plot in the history of movies. All this other shit about the wrong Earth models or sound in space or any of that doesn’t fucking matter, because the movie is about OIL DRILLERS GOING INTO SPACE TO BLOW UP AN ASTEROID. Why bother making everything else accurate when the basic plot of the movie is ridiculous? It’s a summer popcorn movie. You know they won’t all die at the end and that the Earth will be saved. You know shit will blow up. Why the fuck do people give this movie such a hard time? I just don’t understand it at all. Its as if it was the only action movie to have questionable logic. Christ.

Also, and I’ve said this before – I judge a movie on how well the idea is presented. The idea itself is not of concern, so long as the cast and filmmakers stay true to that idea. This movie’s concept (oil drillers in space) is one of excess and silliness, and at no point, manipulative heart-tugging aside, do they abandon that idea. In short – if you can make a BETTER version of a movie in which oil drillers fly into space to blow up an asteroid, then let’s fucking see it, right now!

Also, spoiler alert, the closest thing we have to someone that lives up to the legend of John Wayne, one Mr. Walter Bruce Willis, blows himself up to save the entire fucking world at the end of this movie. That is like, cinematic perfection.

That’s it for ranting. You can stop reading now if you’re still on the “this movie makes no sense and therefore it sucks” team. Resume play!

00:21:00 Lot of drilling terms being tossed around; I bet I could work on an oil drill at this point, being that this is probably the 40th time I’ve watched this movie in the past 10 years.

Hey I just thought of something – I almost saw this for a FIFTH time in theaters on Halloween in 1998! I was in Salem MA and we wanted to kill some time, and it was playing at the dollar theater. We opted for more people watching though.

00:22:28 I wonder who Crazy Willy is. We need a prequel to this movie.

00:22:41 Hey allright, a completely unnecessary statutory rape joke.

00:23:19 Why are the NASA vans from California?

00:23:49 A rogue comet! Maybe the rogue oceanographer from Brucky’s unmade tidal wave movie can take it out.

00:24:26 Billy Bob’s commenting on the script here I think.

00:24:46 “Not a soul on earth can hide from it.” The irony of this movie is that if an asteroid DID hit, Willis would probably be the only one left standing, far as I’m concerned. Maybe Dolph too.

00:25:26 “Six billion people in the world, why you call me?” Well, Twelve Monkeys, Fifth Element... you’re pretty good at this “world saving” stuff, B.

00:26:27 Here we go, giant leap of faith time, even by this movie’s standards. Why can’t NASA guys build a drill? I can almost buy the “you need to trust the guys you’re with to be a good driller” nonsense, but I can’t quite figure out why they wouldn’t know forward from reverse.

00:27:14 If you DO have the Criterion, definitely listen to Affleck’s commentary over this scene. It’s fucking amazing.

00:27:30 No backup plan! Keep that in mind, I guess there will be one more rant in a bit.

00:28:10 OK, one other one besides that one. Folks bitched about the “it’s easy to train drillers to be an astronaut” shit, but like, they’re not actually flying the shuttle or anything. They sit there and do nothing for the entire trip until they land and begin to drill. I don’t see how that’s an issue.

00:29:30 The always beautiful Shawnee Smith... she was in The Island too, as another one of Buscemi’s conquests.

00:30:04 Hahaha, I love how they skip over Noonan in this “rounding up the guys” sequence. Noonan is such a great non-character.

00:30:33 Moment I don’t quite buy #2. It’s been like, a day, but AJ already has his own drill company?

Bruce is fiddling with a circular thing on a chain during this scene. I actually know what that thing is and what it means, even though everything about it has been removed from the movie (I don’t know if it was ever even filmed). It’s a piece of the first pipe he ever laid, and there was this going to be this thing where he split it in half and gave half to Affleck, and they’d like, put it back together when the job was done or something. Kind of corny, but I like that they bothered to give Bruce the prop for it.

00:32:38 Noonan! “Guess I can’t let you go up there alone.” Well, who the fuck are you? I’m probably the only person who even knows this guy’s name.

00:33:36 I wonder which one is the one that works for the mob? I bet it’s Noonan. Guy’s gotta have SOMETHING going on in his life.

00:34:40 Heh, Keith David actually nods a bit when Willis asks if they can tell them who killed Kennedy.

00:35:12 How would the whole “not paying for taxes” thing work? When they buy shit at the store, would they flash a card or something? “Oh no, see, I blew up the asteroid, so that will be 19.99, not 21.64. Thanks.”

00:35:45 Noonan’s 2nd line (of 4)! He’s also MIA from the scenes with the shrink for some reason. Maybe he doesn’t like Udo Kier.

00:38:00 Does Bruce not have to take any of the tests? Later on he doesn’t need to practice with the simulator either. Is he just that awesome or does Bruce (the actor) just not want to bother?

00:38:40 Colonel Willie Sharp! Aka William Fichtner. Aka the first actor I met when I moved to LA. I called him Willie Sharp and his wife laughed at me. I was sad.

00:39:35 This Jessica Steen chick is beautiful. Why didn’t she have a bigger career? Or, any? I don’t think I ever saw her in anything else.

00:40:13 Heh, I love this part, they throw out all the useless shit inside the Armadillo. The eight million writers on this movie (one of which is the over-beloved JJ Abrams) did a good job of selling their blue collar, good ol’ boy attitude.

00:41:30 OK, Willis has to take the breathing and eye exams I guess.

00:42:02 Buscemi’s nod here is hilarious. I actually try to emulate it when required to nod in real life.

00:42:40 All this stuff about putting them in zero G and weightlessness and they don’t even show it!

00:43:18 I like how Oscar is taking notes here. I hope he makes copies for Noonan, since I don’t think they bothered putting him in the scene.

00:44:18 I want that model of the asteroid.

00:44:27 OK pause again, cuz here’s what I think will be my final rant/explanation for why no one should ever give this movie any shit about its silliness. This NASA guy breaks into the scene to explain that they are taking two shuttles because “At NASA we don’t take chances, we double up on everything!” Just 17 minutes ago (thanks, timecode!) we were told that oil drillers blowing up the asteroid is THEIR ONLY PLAN. Now, none of them might be rocket scientists (though they did have some on the movie for advisors, and there’s a commentary track with a few of them explaining how all of their advice was ignored), but I would think that if they were making any sort of intelligent movie, they wouldn’t let this line stay in the movie when it basically contradicts the plot of the damn thing. So for the last time people – THIS MOVIE IS SUPPOSED TO BE GOOFY FUN AND NOT TAKEN SERIOUSLY. EVER. NOT EVEN FOR A SECOND. NO, NOT EVEN THAT PART. Its unabashed silliness is the very thing that makes me love it so. Its 150 minutes of entertainment. And screw anyone who says Bay edits so fast that they can’t follow it. If you ask me, that makes YOU the dumb one, not Bay/the writers/Bruckheimer/me

00:44:32 Only 800 feet? They shoulda done 1000.

00:45:03 When I first saw this in theaters, this is when I got up to go to the bathroom. I only remember that because two days later when I went to see it again (I saw it 3x on opening weekend), I realized that I had missed one of my favorite lines at 45:42. “Did you say Grace? OK I thought you said Bear!”

00:46:50 Another “Everyone’s here except Noonan” scene. Where the hell is he?

00:47:20 Bruce says Oscar is the same age as Grace, but earlier he claimed the only reason she liked Affleck is because he was the only one in her age bracket. Seems she had a pretty decent group to choose from. AJ, Oscar, Noonan...

00:48:25 Heh, Willis is explaining how they will save the world. Noonan is MIA and Liv is there. Why does she need to know? SOMEONE GET NOONAN ON THE SET!

00:51:20 Here’s some of the new stuff. The loan shark says "Fuck" and then Oscar goes to church.

00:52:00 Ugh. The most maligned moment in the film, and rightfully so. The only reason all this shit is in the movie (it’s not in the draft I have) is because Titanic made 600 million fucking dollars. Suddenly, having a strong love story in the middle of a disaster movie seemed like a good idea. But this movie’s fun and goofy, so the love scene has to follow suit. And somehow, the best they came up with was having Affleck get cookie crumbs all over Liv’s impossibly amazing torso.

Bay fans will probably recognize this goddamn tree. It’s in Transformers.

00:54:00 Tears moment #1! Chick is my favorite non-Willis character in the movie, and the look on his face when his ex tells their kid that he’s a salesman fucking killed me the first couple times. I’ve since grown up and only get slightly teary eyed. I think it’s because I noticed that it’s sunny on his wife and dark on him.

00:55:25 The biggest addition to the director’s cut. Willis (his name is Harry, but come on, it’s Willis) goes to see his dad. I guess Lawrence Tierney wasn’t aware his scene was cut until he saw the movie at the premiere. Kind of a bummer, and he died a bit later. I’m glad Bay put it back, even though it sticks out like a sore thumb, especially since Willis is back at NASA two scenes later. Did his dad just happen to live nearby? Actually, come to think of it, I guess Chick’s wife is in the area too.

00:57:00 Noonan’s third line! One more to go!

00:58:15 Is it just me or does this random Asian town look a lot like the town at the beginning of Final Fantasy VII where you have to have Cloud dress up like a woman for some reason?

00:59:00 This movie introduced me to text messaging!

00:59:20 Willis’ last night on Earth.... and he’s in a dark room with another man. Huh.

01:01:12 Tear moment #2! Actually this one only got me the 2nd time, because Willis is all “I promise I will come back” and now I know he doesn’t. Man, if I made this movie, Affleck would die. Willis would still rip the air tube out, but he’d leave him behind as well.

01:02:55 Everyone’s getting ready... except Noonan of course. Maybe he woke up early and is already on the shuttle.

01:03:38 More “make it romantic!” shit. Of course, since teenage girls are pretty much the only other people on my side for this movie, I guess I shouldn’t complain. Plus, Michael Clarke Duncan’s rendition of "Leavin' on a Jet Plane" is pretty spectacular.

01:05:51 There’s a guy on the far left of the frame here that kills me. He looks like he’s having an epileptic fit as he cheers.

01:06:05 It’s always daylight on Bay Earth! Nighttime is for assholes!

01:06:59 Tears #3! Happy tears tho. “That’s your DADDY!” Fuck yeah. Good thing that a 3 or 4 year old kid has a photographic memory for random strangers. Also that he’d rather watch shuttle coverage than a cartoon.

01:09:44 And so begins my favorite music cue in the movie, just called "Launch" on the score CD (which I own in both single disc official and 2-disc bootleg form!). I even have it as a ringtone now, which sucks for people calling me because I just listen to it rather than pick up. Like any asshole calling me has something I’d rather hear than Trevor Rabin’s amazing music?

01:11:00 Heh, the original teaser was just these shots of the shuttles taking off. “Man, that looks dull” I said. Stupid BC.

01:12:43 Owen Wilson is obviously out of character here, just laughing at something in the background.

01:13:08 Peter Stormare! I’ve lost the count for badasses. Let’s call it an even ten and move along. But really, this movie has a pretty fucking awesome cast. Other than Willis, at the time they were all pretty much indie guys, and now they’re all in the most Hollywood movie ever made. I like that. Never quite understood why they would need to refuel an hour after takeoff, but his addition to the film is welcome.

01:14:33 Wilson is STILL laughing about something!

01:15:18 Even Stormare agrees. “I am not gas station!” And why did HE have so much extra fuel that the Americans couldn’t scrape together? Let’s call this #3 for moments I don’t buy. Also, he’s completely batshit here, but in 20 minutes he’s fine.

01:17:00 I think this is new too, Wilson telling Stormare that they’re all brothers or whatever. It’s been so long since I have watched the theatrical I don’t remember.

01:18:20 This is a pretty fucking impressive tracking shot through the shuttle. It’s like a 6x6 corridor!

01:18:55 Killing Affleck off here would have been pretty ballsy too. Again, if not for Titanic, and given Brucky’s legendary rewriting process, I wonder how different this movie could have turned out if they were taking inspiration from a different movie. Deep Impact killed off almost everyone!

01:20:42 Willis is fucking awesome here. “WE’RE NOT LEAVING WITHOUT AJ!” You fuckin tell em, B! I bet he’d be OK if it was Noonan. Probably wouldn’t even notice.

01:21:42 Hey, Lev has a family! Who knew?

01:22:05 Billy Bob seems pretty OK with the idea of losing two men.

01:22:15 Key moment in the “they’re not stupid, they are just out to make a fun movie” gallery – a giant piece of the space station FALLS IN SPACE toward their shuttle, and they get away by... well, peeling out. In a shuttle. In space.

I love this movie.

01:22:50 Noonan’s fourth and final line. Take care, pal.

01:23:20 This bums me out. They have a 2.5 day trip to the asteroid, and we see none of it. I’d be interested in what they did the whole time. The French would probably make that the entire movie.

01:24:40 Not the best time to take off your engagement ring, Liv.

01:26:00 I dunno if the CG is just off or what, but that thing doesn’t look like the size of Texas compared to the shuttle.

01:27:40 Billy Bob’s such a bureaucrat... 10 min ago he was OK with possibly losing 2 men, but now that his shuttle is damaged he panics. And wastes a perfectly nice coffee mug.

01:28:00 This music is really sad too.

01:28:55 And, somewhere in this sequence, Noonan is killed. Wilson gets a death scene, Noonan, true to form, just disappears.

01:29:30 Bay really likes to show bodies being flung around to their death.

01:31:06 Heh, one time my blue (or green, or red, I forget) wire on my component TV connection was loose, and I didn’t notice until this scene, because I knew it was supposed to be all blue and it was all green instead. From then on, whenever I had to test the color on my TV, I’d put the DVD in and cue it up to this scene. Incoherent lighting does have its purposes after all!

01:33:02 I love the random NASA guy (Gruber) just wandering into the shot here. “By all means!” Yeah, we know you’re there. This movie only has one Noonan; you’re safe.

01:34:00 In theaters, my friend was pissed that Affleck and the others survived.

Also, Affleck finds Wilson’s body and weeps. The NASA guys are seen being sucked out of the shuttle, and Bear/Lev are alive as well. Gee, who’s not accounted for?

01:35:38 Some people don’t understand the “Dr Seuss’ worst nightmare” line. Made sense to me; there’s a bunch of random jaggles and joogles everywhere, except they’re not whimsical, they are scary. Christ, people.

01:37:25 More “oil driller” talk. They name their drill heads? No way NASA would know what to do here.

01:38:30 There was a deleted scene that explained why the Armadillo had a goddamn turret gun on it (to blast away debris and other such stuff that would keep the thing from driving forward, which I had figured out for myself anyway) but since it was cut and people need to bitch, this became one of the most maligned moments in the film.

01:39:52 Will Patton blew a tranny? Well that’s great, but he might want to focus on the job at hand.

01:41:00 The asteroid is pretty scenic here.

01:41:14 The only time Noonan’s death is acknowledged. AJ says he lost “two of his friends”. Hey Noonan – at least you’re considered a friend. AJ doesn’t give a rat’s ass about the three NASA folks who just bought it.

01:42:30 Green, blue, green, blue... no wonder all the “around the world” scenes are set at sundown. Bay was probably feeling that no one would recognize the film as his own unless he got to use his orange filters SOMEWHERE.

01:44:20 Hahahaha this extra kills me. He wants to get in the movie, so he needlessly wheels his chair out into the walkway, and then wheels it back.

01:45:46 Liv’s line is different in the trailer. She says “family” in the trailer but “father” in the movie. I like family better, it pays off Bear's “We all feel like a bunch of daddies” line from before. Man, everyone that complains that this movie is the longest trailer ever should at least point out that the trailer itself has better character development!

Also, Billy’s F bomb was in the theatrical cut. I was initially bummed that this movie was PG-13, but it was worth it for the power of that one line!

01:47:34 Aw yeah, an override the override action typing sequence!

01:48:12 “What are you doing with a gun in space?” BEING AWESOME, THAT’S WHAT! Actually I have no excuse/defense for this one. Interior debris?

01:48:50 I bet it’s hard to fight in those bulky spacesuits.

01:49:20 I love the look on Buscemi’s face here. “What did we miss?” Hahahah, I love him.

01:49:51 They have like 1.5 minutes to unload a nuke and fly away. If Willis didn’t pull off his “I never fail” speech then they’d all be dead and the asteroid wouldn’t even be damaged.

01:50:56 I WILL MAKE 800 FEET! should replace “Let’s win one for the Gipper”, if you ask me.

01:51:21 15 seconds left.

01:51:30 8 seconds left

01:51:34 6 seconds left

01:51:39 3 seconds left

01:51:44 The bomb is stopped, with only 2 (but really negative 8) seconds left to spare!

01:52:13 Good way to work in the obligatory “Houston we have a problem” reference.

01:52:38 Dude, the idea of just sitting on an asteroid watching it/yourself hurtle toward Earth is fucking freaky.

01:53:38 Stormare is fine, but now Buscemi is crazy. It’s what they call “Coen Brothers Regular Transference”

01:55:52 This is even scarier, the idea that you might just float around in space until you die. Because they have oxygen and maybe even some candy bars in there, so they’d probably live for a while, floating endlessly in an Armadillo tomb.

01:59:03 Dude! That’s so awesome. The change in gravity means that when you tackle a dude, you both fly like 30 feet. That or Bay/Brucky thought it would look cool.

02:00:08 MAXXXXXXXXXXXXXXXXXXXX! :( I liked him.

02:01:12 Into the storm cellar, morons!

02:02:03 Sacre bleu!

02:02:26 There’s another French movie. The asteroid has 4 hrs to hit after zero barrier. They could make an art film about a bunch of pretentious snobs arguing about the meaning of it all, and then end it before it actually hits.

02:03:30 AJ!

02:04:30 I like Willis summing up for all of us. “We got 250 feet, last transmission, last drill head!’ And no more continues.

02:05:17 Uh oh. Shit’s going wrong! Again! My friend (same one who was pissed Affleck didn’t die when the shuttle crashed) was angry that seemingly nothing worked in this movie. And to an extent, he’s right – this movie has the most amount of problems in a movie ever. In the next 15 minutes, the shuttle will fail to start, the remote detonator will break, a pipe will snap, Bruce will drop the detonator...

02:07:25 Why is he cutting a giant pipe with an electric turkey knife?

02:09:00 “What’s going on up there?” The Armageddon law of shit going wrong every 2 minutes, dude! Plus the law of killing someone off every 10 (adieu, Gruber). Get with it!

Gruber I think gets it worse than anyone in the movie. A fucking mini asteroid hits him right in the goddamn balls.

02:09:55 Again, when a NASA guy dies no one seems too concerned.

02:10:46 OK, “It takes two people to fly this thing”, Sharp says, effectively taking him and the hot girl out of it. But Lev seems pretty qualified, so I think Sharp was just being kind of a dick here.

02:11:03 Willis is so laid back about his offer. “I’ll stay and take care of it,” he says, as if he was offering to watch someone’s cats.

02:11:26 Why don’t they let Buscemi do it, exactly? What, he’s crazy, so he won’t hit the button and save his friends/get out of paying back the loan shark?

02:11:35 People also mocked that Sharp had “straws” already. Ever hear of a jump cut, assholes? It’s a few minutes later.

02:12:37 It bums me out that Willis doesn’t say bye to Chick’s face.

02:13:04 Here we go!!!

02:13:23 BAD. FUCKING. ASS.

02:13:48 “You gotta take care of my little girl now. That’s your job.” Oh man. Until my dad died I don’t think I ever bawled so hard (and, it should go without saying, that event doesn’t exactly make this part any easier to take). And fuck you. It’s SAD.

I think it’s mainly cuz Willis essentially just plays Willis in the movie. Like, he’s died in other movies and I never really cared, but here it’s like the actual Willis dying (to save ME, an Earth resident!). Which would make me sad. You know how they say giving a kid a goldfish or a hamster (something that dies pretty quickly) prepares them for when they lose an actual loved one (i.e. a person) later in life? I have Armageddon to prepare me for when Willis dies for real. Assuming he does (I’m pretty sure he won’t).

But true to form, it’s actually kind of hilarious too, because he’s like “I think of you as my son. Go marry my daughter.”

02:14:08 I think Affleck really does love Bruce. He was at his Hollywood star unveiling, and even spoke before Bruce took the stage (actually, so did Billy Bob – I think it’s safe to say that Armageddon is important to Bruce too).

02:15:51 I don’t cry at this part at least. Well, not anymore.

02:16:34 OK the shot of Chick crying kinda gets me. It’s his best pal! Could have at least given him a wink or a nod to let him know he was about to sacrifice himself for the good of Affleck’s cock.

02:17:20 For your consideration...

02:17:35 We haven’t had any actual problems for a few minutes, so they need to double up!

02:18:21 ALL MADE IN TAIWAN! This movie’s pretty good at combining laughs, sadness, and nonsense.

02:19:09 Well, maybe if you didn’t fix all of the problems in the Russian space station like that, it wouldn’t have blown up.

02:19:35 I’m no shuttlologist, but can a shuttle just sort of take off like that?

02:19:50 “Thank you, Harry”. Yeah, fuck you, Sharp, you non-volunteer.

02:20:34 “Come on Harry, push the button!” Yeah, blow yourself up man! What are you waiting for?

02:21:00 Harry may not know how to fail, but movies don’t know how to ever stop a bomb with plenty of time left.

02:21:10 I like to think that Bruce survived and is on one half of the asteroid. A sequel would find the other guys going to rescue him. Because really, if there’s anything more hilariously awesome than a bunch of guys going into space to blow up an asteroid, it’s a bunch of guys going into space to rescue their buddy.

02:22:30 Good to see Billy Bob and Keith David have put aside their differences in time to hug it out.

02:22:56 At long last, some Bay style orange!

02:23:28 They land rather smoothly. What the hell’s up with that? They could have had failed landing gear or maybe missed the runway or something. It seems anticlimactic.

02:24:25 OK this shot is kind of sad, because there’s a lot less folks getting off than got on. BUT, they are in different places. They should have lined up the same way to really sell the tragic loss.

02:24:41 “My dad and half of my honorary uncles are dead! Yay!”

02:25:00 BC’s final tears, the kid being reunited with Chick. Oh wait, the wedding got me too, when they show Willis’ photo.

02:25:40 Strippers get level 5 clearance, I guess.

02:26:30 This is a nice church.

02:26:45 The final fuck you to Noonan; if you watch the movie fullscreen (you son of a bitch!) you never see his photo.

Also, who the hell are the people in the front row? That one guy looks like the loan shark!

02:27:00 I like that Lev, Truman and Sharp went to the wedding.

Well, it’s done, 11 word doc pages later. I think I’ve said all I need to say on the subject.

Oh wait, there’s another disc!

It’s actually kind of slim, considering the movie itself. There’s a few deleted scenes (one including what would have been a fifth line for Noonan, and also the only time in the movie he was seen interacting with the characters when not all of them were required to be in the scene) and some funny outtakes. Billy Bob in particular doesn’t seem to be taking any of the movie seriously, plus they joke about putting Costner in the role instead of Willis (which I’d be ALMOST as OK with – and I still dream of a Willis/Costner buddy movie). There are also a few brief looks at key effects sequences, but nothing of major substance. There are also a whole bunch of trailers/TV spots, but the awesome original 3 minute trailer is NOT included, which pisses me off. I have it on my PC somewhere, but it’s a lo-quality QuickTime. I wanted it for two reasons; one that it’s awesome, and two it was the first trailer I ever downloaded, back in 1998. Still, the Super Bowl ad is included, so that’s cool (it was a pretty awesome teaser). A lot of these trailers feature stuff that isn’t in the movie or deleted scenes (Bruce apparently had a lot more dialogue on the asteroid). The Aerosmith video is on there too, but come on. There is also a pair of commentaries that I’ve already mentioned. The scientific advisor one is pretty hilarious due to how many times they point out how they were ignored, and Affleck’s comments alone make the other one worth listening to (Willis, Bay, and Brucky also contribute, though Willis is barely heard).

Also included is an essay by a film studies professor, defending the film’s inclusion in the Criterion lineup. I have no use for it (like I needed a reason?) but some of you folks may be interested to read it; I believe you can read the whole thing on the Criterion site.

All in all, a pretty good, if not spectacular package to celebrate the finest oil drillers in space movie of all time. I hope you enjoyed this running commentary. If you didn’t, I hope you don’t hold it against me.

What say you?


PLEASE, GO ON...

October Extras 2: Hart's War (2002)

OCTOBER 30, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2002 (THEATRICAL)

My streak of seeing all of the master’s (that’s Bruce, not director Gregory Hoblit) films in theaters was nearly broken by Hart’s War. It came out during a heavy post production time on my student film, and tanked so badly that two weeks later it was already reduced to dollar theaters. I had to drive about 30 miles to see the damn thing. Since then, I’ve always made sure to see all Willis films on their opening weekend, just in case one tanks as bad as this one did (to date, it’s actually his biggest bomb – it cost more than Hudson Hawk and actually made less).

And that is a shame, because it’s also his most underrated movie besides Unbreakable (which is beloved, but not by enough people! Armageddon is a lost cause, but I can’t see why Unbreakable gets the occasional trashing). It’s not the most original movie, but I kind of like how they combine so many subgenres into one movie. It’s a mano y mano movie, the old veteran vs. the new guy type thing! No, it’s a war/POW escape movie! No, it’s a courtroom drama! How about a look on race relations? I’m surprised they didn’t throw a slasher or maybe a ragtag sports team turning their dismal season around while they are at it.

But surprisingly, all of the elements come together pretty well. It never FEELS like an over-plotted movie, and on top of that, it’s got some top notch acting. Willis is sort of on autopilot, but he’s also really not the main star of the movie (despite his top billing, he’s actually off-screen for large chunks of it and the bulk of his scenes have him sitting in a courtroom doing nothing). Colin Farrell is good despite his variable accent, and this was also the first big role for Terrence Howard, who is always interesting and is terrific here. The guy playing the Nazi colonel is also pretty great, and he has an interesting character to play. I wouldn’t go so far as to call him “sympathetic”, but he’s certainly not the same sort of cartoon villain one might expect. The film’s best scene concerns him and Willis having a sort of passive aggressive chat over a few drinks (I like how Willis’ character barely seems to be imprisoned; seems like he could just leave if he wanted to).

And in the end, it’s all about being a good American and all that, which makes its failure even more surprising (it was released 6 months after 9/11). You’d think a pro-America; our enemies can’t break our spirit type movie would go over well. But that weekend everyone went to go see Crossroads instead. Good choice.

The DVD has two commentaries (...), and also about a dozen deleted scenes that you can watch with commentary by Hoblit, who doesn’t say much other than “Oh, I hated to cut this.” Since only one of them has Willis, they are obviously not missed, but it’s interesting to note that one has a speaking line from Jonathan Brandis, who is pretty much MIA from the finished film (if you look carefully you can see him hanging out in a few shots). Apparently, being all but completely cut from the film was one of the things that led to his suicide, so nice job, Hobby!

What say you?


PLEASE, GO ON...

October Extras 2: Primer (2004)

OCTOBER 29, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2005 (DVD)

As I pointed out in my Twelve Monkeys review, I am very nitpicky when it comes to time travel movies, particularly when things don’t line up properly after a guy goes back in time to change things. The movie A Sound Of Thunder was a huge source of frustration for me because of this (also because it was fucking terrible). So part of why I love Primer so much is that after 5 or 6 viewings, I am not only still figuring shit out, but I have also yet to see any real holes in the time travel logic.

The most original thing about Shane Carruth’s script is that, for the first time in time travel movie history, our POV is with people who are already in the “past”, as it were, of the time traveling versions of themselves. Before the main character is even aware that his device can be used to send people through time, his buddy takes him to a storage location, where he sees a version of himself from a day or two later. That’s awesome! Sure, it may make the movie even more impenetrable than it already is, but still, A+ for bringing something new to the table.

The most head-scratching element of the film, oddly, has nothing to do with time travel. It’s just the first 15 min of the movie, which are loaded with a bunch of technical jargon and a plan to build something that I’m still not quite sure I understand (something about making objects weigh less, I think?). None of it is really crucial to the plot, so it’s a shame that some folks tune out before they even get to the good stuff because they assume the movie is too over their head. Not that the time travel element is exactly dumbed down for Joe sixpack (who probably wouldn’t have rented the movie anyway), but it can be followed without needing a “Technical Manuals for Dummies” book. It’s like the first 15 min are a crossword, and the rest is a sudoku – you can’t be an idiot, but you don’t need prior knowledge either. I had the same issue with Crimson Tide; they spend like 20 minutes rambling about all this dry military/war/treaty stuff and then the rest of the movie is pretty simplistic and awesome.

I also love how low-key it is. Granted, the budget made that a requirement (this movie cost less than even Blair Witch), but the sort of “do it yourself” nature of the machine itself is pretty sweet; the thing is made out of refrigerator parts and a Catalytic Converter. I tried making one myself, but it didn’t work. And then I couldn’t drive to Best Buy for a new fridge because my car wouldn’t run.

The movie is a lot funnier than one might think too. It’s all dry humor, but that’s the best kind, IMO. The only thing in the first 15 min that I actually understand is when Aaron tells the story about how NASA spent millions developing a pen that would write in space, but the Russians solved the same problem by using a pencil. Also, the best line in any time travel movie ever: “I haven’t eaten since later this afternoon.”

But the funniest thing about the movie is that there are websites that are designed to help you understand the timelines and specify which character we are watching (i..e. “Present Abe” or “Future Abe”), and they are even harder to follow than the movie itself. I actually understood LESS about the movie after reading one.

The DVD has a pair of commentaries, which I listened to back in the day and recall enjoying. There are no deleted scenes or making of type things, which is fine by me. I kind of like having to figure it out for myself. And someday I will, dammit! I think I’m pretty close. They’re all jerks and the “rat in the attic” is actually just him from a few days later. Or earlier. Right? No, it was-

Fuck!

What say you?


PLEASE, GO ON...

October Extras 2: Hitchhiker's Guide To The Galaxy (2005)

OCTOBER 28, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2005 (THEATRICAL)

AKA the movie that made me decide to always see a movie first*, Hitchhiker’s Guide To The Galaxy was pretty disappointing to me when I saw it during its theatrical run, and even though I picked up the DVD, hadn’t really planned on watching it again anytime soon. On a 2nd view, I’ve come around to a lot of it, but there are still two big problems that keep it from being the classic that I had hoped for.

The biggest problem is Mos Def as Ford. I usually like Mos, but he seems lost here, and fails to get any laughs out of what is, for my money, the novels’ funniest character. His mumbling delivery doesn’t help matters either. When I read some of the names that were tossed around as potential Zaphods (Robert Downey Jr, Johnny Depp), I can’t help but wonder how much better the film might be if Sam Rockwell, who was good at Zaphod but would have been a great Ford, was given the Ford role with one of those other guys as Zaphod instead. The rest of the cast is great (Bill Nighy is about as perfect a Slartibartfast as I could hope for), but this odd casting decision dampened a lot of the film's potential.

The other problem was that they mined too much from the book. It’s odd that the things that were invented specifically for the movie turn out to be the things that feel the most in line with the series’ sense of humor and wonder, but that’s exactly the case. Turning everyone into yarn for a few minutes, the point of view gun, etc... all these things, brand new to the mythology, work perfectly and feel very much from the universe I know and love. But things like the Vogons, the bypass, and even “42”, I dunno, they just don’t play as well onscreen as they do on the page. I found myself incredibly bored, which is something kind of odd when you’re talking about the destruction of Earth.

But maybe HG2TG was just never meant to be made into a film. It’s no secret that the first book has almost no actual story, so trying to shoehorn one into the events might just be too high an obstacle to overcome. It’s a shame that the film wasn’t more of a success, as the next four books in the “trilogy” were far more cinematic-ready (and just as funny). I am curious how many people saw the film without ever having read the book and fully enjoyed it, and then went out and bought the book(s). I hope many.

Like I said, I’ve come around a bit on it. There’s definitely some treasure to be found in here. The guide entries are hilarious, as is the opening song. And the scenes with Slartibartfast are the rare ones that are taken almost verbatim from the book and yet still retain both the humor and the genius inventiveness of it all; the shot of a guy painting a cliff-face on the “backup Earth” is priceless. And while I’m sick of it by now, Zooey Deschanel’s typically detached, almost autistic performance (drink every time she looks adorably bored!) was perfect for Trillian. Likewise, Martin Freeman made an ideal Arthur Dent, and Alan Rickman doing Martin’s voice is another stroke of genius. Again, with so much done right, I can’t help but wonder how I’d feel about the film as a whole if I never read the book.

The DVD has two audio commentaries, but, say it with me, “no time to watch them.” I did look at the rest of the extras, which are pretty slim: a few deleted scenes of no real interest, a generic “making of” that runs 7 minutes (insightful!), and a hangman game with Marvin. Why the incredible teaser trailer, or Zaphod’s “music video” which was used in the film’s marketing are not included, I don’t know, but the DVD is the poorer for it.

The death of Douglas Adams was one of the few celebrity deaths that really upset me. I had only gotten into his work about a year before, and felt that he had a lot more to say. His other series, Dirk Gently, had nearly unlimited potential, and he was working on a new book in the series when he died (his work-in-progress was released posthumously; the most frustrating thing I’ve ever read as it stops just as the plot is kicking in). And while I may have had problems with it, I know many fans love it, and thus it’s a shame he never got to see his baby translated into the last medium it had to conquer (having already been a book, album, radio show, tv show, play, and video game). On the plus note, he died at the gym, which gives me the best excuse ever not to go.

What say you?

*As long as I know a movie is being made. See, I know “the book is better”, which means that if I see the movie first, I can enjoy the basic story twice. I see the movie, and have fun, and then read the book, which has all the extra character and subplots to enjoy. But if I read the book first, I end up getting bored with the movie, because it’s just a stripped down version of a series of events I am already familiar with. I proved this; I stopped reading the Harry Potter books after the third one, and got bored with the first three movies. But I really enjoyed the 4th and 5th films, because I didn’t know what was going to happen. Then I go back and read the book, and it’s an even more rewarding experience. But again: this only applies to books that will likely be turned into a movie. I’m reading Clive Barker’s "Coldheart Canyon" right now; there’s no way in hell that will ever be a movie. But “Dread”, which I haven’t read yet and is being filmed as we speak? That one can wait.



PLEASE, GO ON...

October Extras 2: The Truman Show (1998)

OCTOBER 27, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2007 (DVD)

It’s strange how The Truman Show served as a sort of bridge between high school and college. I saw it on its opening day, which also happened to be the day of my HS graduation (quick, check box office reports and figure out how old I am!), and then I saw it again a few weeks later on the first night of college orientation. Maybe that’s why I get all nostalgic when I watch it.

Or maybe it’s because I think I, like Jim Carrey’s character, am on a TV show at all times. I base this on absolutely nothing but the fact that one day at college (near the end of my sophomore year) I noticed a girl from one of my classes walking out of her dorm, and then about 20 steps behind her was a guy who was obviously not a student. Being a horror movie nut, I assumed he was stalking her, so I mentally wished them both the best of luck and continued on my way, which was to the mail room. I got my mail, and as I walked back to my dorm, I saw the same girl walking out of her building again, followed by the same guy! What the hell?

This of course, mirrors a scene in Truman when he notices that a guy on a bike and a dented car keep driving by over and over. And the funny thing about that scene is that it’s the biggest plot hole in the movie. We learn throughout the film that the TV people are always listening, that all the “residents” have hidden microphones in order to keep in contact, etc. So why did the TV overlords allow Truman to see this “loop” and do nothing about it? He says what he’s up to, and there’s even apparently a bit of a delay on the dented car, so there was plenty of time for some tech to contact the driver and tell him to turn around so Truman wouldn’t get suspicious.

Otherwise, I love how they manage to explain away all possible plot contrivances in a reasonably solid manner. Truman is afraid of water because his father drowned, and he’s afraid of flying because “plane parts” fall out of the sky and nearly kill him. There are still some minor issues with the setup (why would they even HAVE a travel agency?), but it’s good enough for me. Part of me wishes that more of the idea of it being a show was explored (he starts to get suspicious almost right from the start), but that would make for a very long movie.

One thing I definitely love about the setup is how we never see any of the TV folk for the first half of the movie (other than the “opening credits”, which are the credits for the show, not the movie). We see some people watching it, but the technicians, and Ed Harris’ character, all that stuff is saved for a key moment, at which point the movie becomes more of a back and forth between the two worlds. It’s a genius idea; we get to buy into the “reality” of the world before the curtain is lifted and we see just how much they are manipulating: the sun, the tide, everything is manufactured.

The score is amazing too. I used to cue up the final scene just to listen to the music before I finally got the soundtrack. It’s from a variety of composers, including Philip Glass, something that usually annoys me, but it works perfectly here. On that note, it’s odd how many of my all time favorite scores came in 1998: this, Meet Joe Black, Armageddon, Thin Red Line, Saving Private Ryan, What Dreams May Come...

(I didn’t say that last one was one of my favorite MOVIES, but it’s a damn good score)

Truman was actually the very first DVD I ever bought, on a barebones release that wasn’t even presented at the right aspect ratio (or maybe it WAS the intended ratio, 1.66:1?). I have since upgraded to the special edition that came out in 2005, which is worth the upgrade. A few deleted scenes, a pretty comprehensive making of (split in two parts for some reason), and a look at the FX make up for the lack of a commentary by Peter Weir (and where the hell has he been since Master and Commander? Come on man!). It has since been issued on Blu-Ray as well, but other than the idea of looking at Laura Linney (super hot in this movie) in High Def, I don’t see the need to upgrade yet again.

This remains the only “serious” Jim Carrey movie to make the same type of money his goofy comedies do, and rightfully so. It’s easily his best film (I should note I’m not a huge fan of any of his comedies; even as a kid I didn’t care much for The Mask or Dumb and Dumber, though I liked Liar, Liar a lot), and he managed to find the perfect balance between comedic and dramatic acting here. It’s probably a safe bet that if not for this movie’s success, stuff like Eternal Sunshine may not have happened, at least not with him. Show some respect, Charlie Kaufman loving hipsters!

What say you?


PLEASE, GO ON...

October Extras 2: Fletch (1985)

OCTOBER 26, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: HD-DVD (OWN COLLECTION)
LAST SEEN: 2007 (DVD)

I consider Fletch to be one of my top 3 favorite films, along with Armageddon and Halloween. Each has a different reason for being there; Halloween inspired me to be a filmmaker, and Armageddon is just pure entertainment from start to finish (given the choice on a random day, I’d probably watch Armageddon over Halloween, simply because its kitchen-sink and frenetic style lends itself to repeat viewings more than Carpenter’s otherwise superior film). So why is Fletch in there? Simple: it inadvertently formed the very nature of my being.

See, I watched the movie constantly as a kid, and then stopped around 1992 (around when I started really getting into horror and also losing interest in Chevy due to his increasingly bad films). But when I finally gave it another watch in 2000, I was amazed to discover how many of “my” mannerisms and odd sayings were actually from Fletch. I’m STILL picking up on some; there’s a bit in the film where he somehow manages a sarcastic nod as Stanwyk is explaining why he wants Fletch to kill him, and when that scene came up today I realized I do the same thing when someone is boring me.

And that’s just one example; others include: “Excuse you?”, knocking on a door and saying “Come in!” myself, “No, never, never...”, turning and watching someone leave a room for no reason (the “Frida’s boss” scene), and many others that would take too much effort to explain away. In short, if you’ve ever thought I was a bit odd in person – just watch Fletch, and I’ll make about 34% more sense. But I swear, it was all unintentional; other than actual quotes (“I’ll have a Bloody Mary, and a steak sandwich, and... a steak sandwich please.”) I have never intentionally referenced the movie, and wasn’t even aware these things were “from” anything, let alone all one guy in one film.

The real draw, though, is just how damn effortlessy funny Chevy is in the movie. If anything he could stand to drop the act a bit, as it borders on annoying at times. Like when he goes to Stanwyk’s for the first time, and says four rather unfunny lines in a row. Just shut up, man! Or at least say something that aids the plot. Still, for every line that doesn’t work, there’s about 5 that do, and I still laugh my ass off at some lines, after countless viewings. One part that always kills me is when he first meets Stanwyk. “Look, are you on a scavenger hunt or did I just forget to pay my dinner check?” And even more amazing is how funny the movie is when Chevy is the only one who gets any laughs. Everyone plays the straight man (though Arnold T. Pants, Esquire and Frank get a good line or two each), and while some movies like this fail miserably, Fletch succeeds.

Part of that success is due to the plot, which is hardly labyrinthine but certainly more developed than your average 80’s comedy. I dig how the two plot threads ultimately combine, Johny Gossamer style, and it’s a pretty decent mystery as well. One thing the sequel got wrong is a completely obvious villain in a single story, which served only to provide Chevy a means of wearing disguises. There are two villains here, and while it’s hardly a shock when Karlin is revealed to be one of them, the way he figures into the other plot is a decent enough surprise.

The “Jane Doe” special edition is pretty disappointing. The primary issue (besides the fact that director Michael Ritchie, and now novelist Gregory MacDonald are both dead) is that Chevy had no involvement with it. He’s not against contributing to new DVDs (the first two Vacations, for example) and since Fletch is his signature role, his absence is quite puzzling. Still, there’s an OK enough retrospective (it would be even better without the “host” who tries to be funny, and fails miserably), and a brief look at the makeup appliances. That’s about it. The original DVD was out of print forever, so when this edition came out fans were excited, but beyond having a new transfer for the movie there’s nothing here worth buying if you had the original. I like that it was one of the last movies to be released on HD DVD though; it’s the least necessary movie for a high def transfer ever. See Fletch’s... uh, Laker jersey in glorious 1080p, I guess!

What say you?

PLEASE, GO ON...

October Extras 2: 3000 Miles To Graceland (2001)

OCTOBER 25, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2001 (THEATRICAL)

One night in college, during one of many editing sessions on our thesis film, the director and I decided to take a break by heading to the nearby theater (best thing about my school? Multiplex in walking distance) to see 3000 Miles To Graceland, which was mis-marketed as Die Hard In A Casino. So imagine our surprise and delight to discover that it was really the biggest budgeted grindhouse movie of all time.

The casino/Elvis stuff is only the first half hour of the movie. From then on it’s pretty much a mano y mano fight between Kurt Russell and Kevin Costner (two of my three favorite A list character actors; if Willis was in it too it would probably be my favorite movie of all time), with a super hot Courtney Cox along for the ride. And even though it’s not the film that was marketed, it’s still sort of traditional in terms of plot, but there are so many odd little moments and random asides that elevate the movie out of generic action drama and into pure “Awesome” land.

For example, can you name another film in which our bad guy takes a personality quiz in which he admits to masturbating and having been raped by another man? Or with a kid that likes to watch his mom fuck strangers? Or one in which a guy mows down like twenty cops and civilians, but when he is shot the soundtrack plays heroic sad death music? Midget Elvis being shot to death? CGI scorpion deathmatch? Badass offering another badass a jelly sandwich? This movie has all of the above!

The key moment, for me anyway, comes about halfway through. For no real reason, a cop pulls Costner’s character over, but stops about 50 yards back. The two men get out of their cars, and it is immediately and mutually understood that they are going to have a pistol duel. Why? Who knows? But it’s fucking awesome and hilarious, and that’s all that matters.

Russell, of course, is a criminal, but also our hero, so he can’t have as much fun as his co-stars. We know this almost right from the start; during the casino he merely wires the elevator to aid their escape while the rest of them kill cops and casino patrons. Then, when he joins the fight, he shoots some glass to prevent the cops from proceeding, rather than kill them. Aww, what a softy. But he gets a few badass moments in, such as when he teaches a little kid not to smoke by giving him a filterless cigarette. Fathering skills through badassery!

Sadly, the film has no real legacy. The DVD is as barebones as it gets (only the misleading trailer is included), and writer/director Demian Lichtenstein hasn’t been heard from since. Costner and Russell probably have no real love for the film either, not only did it tank, but they apparently were at odds during the post production, with the studio actually allowed each of them to submit their own cut of the film (the mental image of Snake Plissken sitting down at an Avid is fucking awesome). I think they went with Costner’s cut, so as a fan, I’d love to see how Russell’s differs. But the most damning/surprising thing about the movie is that its IMDb board has not a single thread on it, which is unheard of. Even the most obscure little horror movie that I watch has at least a couple threads (if only by their own director/producers), but 3KMTG, a 50 million dollar studio film with a ton of stars, had zip. Sad. Hopefully, in twenty years, my successor will be discussing how he went to the New Beverly for Grindhouse night and they showed it on a double feature with Costner’s Mr. Brooks; that would be pretty awesome.

What say you?


PLEASE, GO ON...

October Extras 2: 12 Monkeys (1995)

OCTOBER 24, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2004 (DVD)

I remember going to see Twelve Monkeys in theaters and wondering when Bruce was gonna shoot some guys. At the time, the only time I had seen him in non-action films were in supporting roles (Mortal Thoughts, North, Pulp Fiction...). It was the first time I became aware of his existence as a guy who could carry a movie without a single explosion. But once I realized that this was not John McClane in post-apocalyptic Philadelphia, I found I quite enjoyed the movie, and as a result, I now see each and every Bruce Willis movie (In theaters! In fact, other than The Jackal, this began my still-unbroken streak of seeing his films theatrically).

Apparently, Terry Gilliam had the same opinion I did; he said that he wouldn’t cast Bruce if he did that “steely blue eyed look”, which is pretty hilarious. That’s one of the many great tidbits to be learned in the disc’s only extra feature (besides the commentary): a feature length documentary about the film’s production. Compared to Brothers Grimm, Don Quixote, etc (is it just me or is there a book or a documentary about the troubled production of just about every single Gilliam film?), the production was a snooze, but there is just enough sort of tension and trouble to elevate the film far above the usual EPK bullshit contained on a studio sanctioned DVD.

The film is the real draw though. It’s a well crafted time travel tale, with no apparent holes in the narrative (I am a fierce nitpicker when it comes to time travel movies). I like the idea of a time travel movie in which only a few years are covered (except for the brief WWI bit, it’s all back and forth between six years), and it’s rare for the idea to be used in a completely humorless setting. The cast really sells it too; Bruce is terrific as the shell-shocked would-be savior. And Brad Pitt (this is the movie in which he earned my respect as well) is simply incredible as a guy so crazy that he makes Willis’ character look completely normal in contrast. Rounding out the trio is Madeline Stowe, aka the hottest “old enough to be my mom” woman in the world (well, tied with Rene Russo). She’s a bit annoying towards the end when she starts to believe, but otherwise it’s one of her most memorable roles. There are a few familiar faces in the supporting cast as well; I had forgotten that David Morse was in the movie (him and Bruce would square off again in the underrated 16 Blocks), and Chris Meloni pops up as a detective.

I can’t recall if it was intentional, or if the DVD just plain sucks, but the transfer is very soft. Gilliam’s images should be presented as clearly as possible, but if this was his intent, so be it. Either way, it’s always an interesting looking movie (I still love the random shots of bears and elephants just walking around Philadelphia), with the traditional gonzo set designs and off kilter framing that he excels at. This was his most financially successful film (in that it was the only one that, well, was), and in many ways his most accessible as well (tied with Fisher King anyway), and I hope it turned some folks on to his other films. His movies are not always perfect, but they are seemingly always interfered with in some way as well. I hope he is someday given a blank check and total control, just to see what he comes up with. It may just be that he needs a director friendly studio (which Universal is) to step aside and let him work and only intrude when it becomes a major concern over how their money is being spent. It’s worth noting that this and its followup, Fear and Loathing (also Universal), are pretty much his only films in which production problems are NOT part of its lore.

What say you?


PLEASE, GO ON...

October Extras 2: Memoirs Of An Invisible Man (1992)

OCTOBER 23, 2008

GENRE: CARPENTER, OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2007 (HD CABLE)

I have the unique privilege of saying that my two favorite actors have worked with my two favorite directors. Bruce Willis starred in Michael Bay’s Armageddon, and Chevy Chase toplined John Carpenter’s Memoirs Of An Invisible Man. Sadly, Bruce apparently hates Bay and John all but took his name off the film (it’s one of the only films that doesn’t have his name above the title. It doesn’t even say “A John Carpenter film”), but I’ll take what I can get.

But while Armageddon displays all that makes me love the folks in the first place (Bruce being Awesome, Bay blowing up everything in sight... can'you guys wait for my long-awaited review next week or what?!?!), Memoirs doesn’t really satisfy me as a Chevy OR Carpenter fan, due to both men using the film to try to do something different. Chevy fares a bit better than Carpenter; it’s one of the few films in which he actually acts, and while the role is far from humorless, he manages some genuine sympathy and remains interesting even when he’s not telling jokes, something you can’t often say about his performances. I think Funny Farm and Foul Play may be the only other films in which he was funny but still playing a genuine character. Also, and I couldn’t have known it at the time, it was the last time he starred in a decent movie, so it has some nostalgic value to me.

But Carpenter... there’s almost no sign of his style or personality here. Some of the film’s opening scenes, when Chevy is making his video, feels like vintage Carpenter, but the rest is rather "average". The effects are still astonishing at times (the film was one of the first to really demonstrate what CGI could do), but that’s probably more the work of the ILM guys than Carpenter. Certainly he knows how to stage a setpiece or keep an audience in suspense, but there is little of that talent on display here. He was the third (at least) director to come on board, and I wonder if he even bothered restaging the scenes or simply used the storyboards and such that the other guys had prepared. Apparently Chevy (who also produced) was a bit of a tyrant on the set, which I’m sure didn’t help. The only real sign that he was even involved in the film is the fact that the building where Chevy turns invisible is located in “Santa Mira”, also the home of Silver Shamrock.

Still, it’s an enjoyable comic thriller. The San Francisco backdrop is, as always, gorgeous, and some of the more inspired bits (like when Chevy knocks out a drunk and uses him to hail a cab) are a lot of fun. And Sam Neill is a great villain; pitting him against both Chevy and Stephen Tobolowsky (as a bureaucratic section chief) is a stroke of genius. It’s interesting that such a classy theater type guy appeared in back to back big budget FX movies (he was also in that one with the dinosaurs, if you have forgotten), and also a shame that he never really took off as a leading man in Hollywood (I think the last big movie he was in was that Wimbledon thing).

The DVD was one of the last Carpenter films to hit the format, and while there is obviously no commentary, there are some nice extras, including some deleted scenes (listed as outtakes) and a brief look at the FX. I wish the HBO special that aired when the movie was released was on there, but alas. Also, there is an Easter Egg where you can watch Chevy and John (mostly Chevy) block out a shot. Watching it, I realized that it was the only time in history I’ve seen him actually being actorly (the HBO special was a lot of goofing off), since none of his movies have big special editions or anything like that (or when they do, such as Fletch, he doesn’t bother appearing).

Even though it underwhelmed, I wish the movie had been a hit (it was actually a pretty big bomb; even Cops and Robbersons opened bigger I think). I can’t help but think that the careers of both guys may have turned out different. Carpenter really only delivered one more time after that (Mouth of Madness) before phoning everything in, and Chevy followed it with his talk show (good Lord) and then a long string of family movies, a phase he’s not quite yet done with. Oh well.

What say you?


PLEASE, GO ON...

October Extras 2: Stealing Home (1988)

OCTOBER 22, 2008

GENRE: OCTOBER EXTRAS 2
SOURCE: DVD (OWN COLLECTION)
LAST SEEN: 2007 (HD CABLE)

When I was little, Stealing Home made me think my high school life would be pretty awesome. Our hero nails two hot girls (one like 5 years older than him), spends all summer at the beach with one of the girls (with his mom’s permission!), kicks ass at baseball, and gets to chill with Jonathan Silverman. “All this is in store for me?” said 9 or 10 year old BC, “Awesome!” Sadly, besides frequenting the beach, there’s only been one other “Billy Wyatt” esque event in my life, and it’s the last one I would have wanted to occur. Stupid Stealing Home, giving me false hope.

That said, it’s still a cherished and enjoyable movie. For starters, I love how it’s set up; the movie is about Mark Harmon’s character daydreaming about the time he was reminiscing about his childhood. LEVELS. Also, for a movie in which our hero loses his dad way too early in life AND his true love commits suicide, it’s actually a lot of fun. His best friend (Silverman, and in the present day, Harold Ramis) is one of the best characters in a movie ever, IMO. He also has a summer that’s a lot more exciting than any I ever had, nailing the hot old broad that lives next door, and also gets to drink with Billy’s mom. I never had a friend with a hot mom, but if I did, and she wanted to give me a martini, I’d probably have a good time. Apparently, this movie is based on the actual childhoods of writer/directors Steven Kampmann and William Porter, and if that’s true.... man, I hate those guys. If I ever turned my childhood memories into a movie, it would be pretty dull. “And then, for the 2nd act climax, I watch Stealing Home again.”

I also love, love, LOVE the music in this movie. There’s a lot of great 50s/60s songs like “Poison Ivy” and “All I Have To Do Is Dream”, but there’s also one of the finest scores ever recorded, composed by David Foster. Back in 2000 I found the soundtrack CD at a Virgin record store in NY, and I must have listened to the main theme a dozen times on the drive back to Boston. There is also a wonderfully cheeso/awesome ballad called “And When She Danced”, which plays over the scene where Billy finally gets to fuck (and FUCK, they appear to go at it for like 8 hrs straight) his dream girl, played by Jodie Foster back when she was still hot. And for no real reason, I’d like to point out that this song used to bug me as a kid (and still kind of does), because it’s obviously a modern song that’s being played over a scene set in the 60s. The big finale of Dirty Dancing used to bug me too, for the same reason. Not quite sure how I was able to process this information at a young age (how did I know it was a new song? Was I checking the copyright dates?), but I think it’s amusing.

This movie is also pretty harsh for a PG-13. There are a couple of f-bombs, some brief nudity, and a pretty scary encounter between Billy and a guy his mom brings home. This guy is a total ass by the way; Billy’s like “hey man, go home!” and the dude barely hesitates in punching him, a 16 year old kid, right in the face. Plus, again, the movie’s themes are a bit depressing; the scene where they watch some home movies and Billy’s mom sees footage of her husband, shot only a day or two before he died, is among one of the more heartbreaking things I’ve seen in a movie. And the entire movie revolves around a guy trying to figure out how to spread someone’s ashes. Fun for the whole family!

There’s also some goofy stuff in the movie that tickles me. Like when Billy goes to his friend’s house and sneaks into the master bedroom, which lets us see that the guy’s parents sleep in separate (side by side) beds. Also, at the very end of the film, Billy and his friends walk home after a ball game, but they head to the outfield? Where the hell are they going?

I also never really realized it before, but Billy is kind of an asshole. He fucks two girls in the movie and never bothers with either of them again. The only reason he looks for the girl he lost his virginity to is because the other one (Foster, who he “never saw again” after their incredibly hot night of sex, despite the fact that she didn’t kill herself for another 15 years or so) wanted him to get back the pendant he gave her, a task he also takes like 15 years to get around to doing. And when he does, he reveals that he hasn’t seen HER since the night they fucked. Dude, harsh.

Also, and this goes out to all the folks who have seen the movie: “You! Had! Sex! With my prom date!”

When I first moved to LA, I worked one time as an extra on Navy NCIs. We were told not to bother the talent, so I was crushed to not have the opportunity to tell Mark Harmon (who I got to share the screen with! I guess that makes up for never fucking my friend’s prom date) how much I loved the film. And then last year, Beth Broderick (the hot neighbor broad) was at Screamfest (she was in Timber Falls), and I didn’t even realize it was her until I went home. Rest assured, if I ever come across Jonathan Silverman or Blair Brown, I won’t let them out of my sight until I discuss this movie with them.

(I assume Jodie Foster is a bit weary of fans obsessed with her early work, so if I ever see her I’ll probably just nod a hello.)

This was on HDNet last year, which suggests that a new DVD may finally be in the works (as the one released is a full frame, rather bland transfer, as almost all early Warner Bros “library title” DVDs were). If they need an audio commentary by a noted expert on the film, they know where to find one.

What say you?

PLEASE, GO ON...

Movie & TV Show Preview Widget

Google