Terrifier 2 (2022)

JUNE 13, 2023

GENRE: SLASHER, SPLATTER
SOURCE: STREAMING (PEACOCK)

As a slasher champion, and someone who prides themselves on seeing most genre movies in theaters, it may come as a surprise to you to learn that I didn’t even get to take part in Terrifier 2’s out of nowhere box office success last year. Once intended for a few weekend shows only, the strong showing encouraged the distributor to bring it back the following weekend, where it made even more money, prompting something closer to a traditional release. When all was said and done it grossed over $10 million, more than buzzy/studio backed genre films like Pearl and Men, and even some more mainstream fare – who would have guessed the return of Art the Clown would sell more tickets than a new film from George “Fury Road” Miller? It’s a remarkable success story, and everyone involved should be proud of that.

So why didn’t I join folks in buying a ticket? Well, a couple of reasons, the first and foremost being that I didn’t really like the original all that much. And while I’ve certainly gone to see sequels to movies I didn’t like (I just saw Transformers 7 in theaters, for example - but my kid wanted to see it, so at least I had a decent excuse for once), the other big hurdle for this particular film was its length: 140 minutes. Even the first one, at 80something minutes, felt padded and overlong, so that runtime just seemed like torture to me considering I wasn’t exactly counting the days for more of its world in the first place. Still, I was mildly curious to see what all the fuss was about, and wanted to support the cause and all, so I kept an eye on the local showtimes just in case one ever matched up with a period of time where I had over three hours (travel + trailers included) to devote to ANY film, let alone one I was on the fence about seeing anyway. The October release didn’t do it any favors; Terrifier 2 isn’t the first nor will it be the last horror movie I miss in theaters simply because the month keeps me too busy to find the time to venture out for it. It took me a month to get around to seeing Smile (which opened the week before) too, and that had the benefit of more theaters and genuine interest on my part.

But now it’s on Peacock, so that made it easier! It’s right there and all I had to do was remember that I have Peacock along with the 47 other streaming services that fight for my attention. So I finally watched it today and… well, I agree with most that it improves on the original in terms of character development. Lauren LaVera’s Sienna is a great “Final Girl” and it’s a blast to watch her go toe to toe with Art during the film’s climax – at one point he’s attacking her with a cat o' nine tails kind of thing only for her to grab it and start using it on him – that’s great! One of my (many) issues with the original was that it felt too episodic, as the would-be main character is killed halfway through and then it just keeps going with other people we didn’t get to spend much time with, making it feel unfocused and, kind of ironically, like it was over two hours long, as this film actually is. So to have an actual lead character this time around, and seeing her transform into a literal goddess badass, was a relief.

However, the sequel has the same main problem, which is that it’s simply far too dragged out. Every single scene feels twice as long as it needs to be, with extra bits that don’t add anything to the proceedings. When Sienna’s brother’s pals find a dead animal in the schoolyard, why do we need the extra time devoted to one of them scaring another classmate with it? When Sienna dreams she’s on a Bozo type show with Art as the host, why does it last longer than some actual short films when we know it’s a dream anyway? Even the action bits feel like writer/director Damien Leone wanted to double up on everything; Sienna tears part of Art’s face off at one point of their final act battle, which should be a sort of climactic move, but there’s still another twenty minutes to go. This extends all the way into the damn post credit sequence, which only needs to show the one thing that matters (that Art will be back for Terrifier 3) but has an extended conversation between two hospital employees about what kind of Halloween snacks they have. I don’t know if it’s an attempt at Tarantino-esque “let’s skip past the generic story stuff and just have these people talk about cool things” filmmaking, but in a movie where the kills are the calling card, it baffles me that Leone continually and needlessly leaves them spread apart by far too much downtime.

Not that wall to wall kills would be the way to go either – there needs to be a break so that such spectacle doesn’t wear thin. It just doesn’t need THIS MUCH of it. There’s probably a decent 85-90 minute movie in there, but it’s lost with the extra 45 minutes of needless blather. I actually laughed when Sienna’s mom freaks out about the aforementioned dead animal (which she believes is her son’s doing, thanks to Art), because she is stunned that he could do such a thing, despite Sienna specifically telling her earlier that the kid (who keeps looking at serial killer websites and such) will end up doing such a thing someday – I had to wonder if the thirty minutes in between the conversations had the characters/editor simply forget that it was already discussed.

That said, even if the character/story scenes were perfectly paced, I feel the movie would still be an entry in the “root for the slasher” sub-genre, to which I’ve never taken much of a liking. Not that the characters are horrible and people you want to die (indeed, the worst of the lot is Sienna’s mom, who is constantly aggro – the teens are all fine!), but there’s rarely any real attempt at suspense or scares. There are a few decent creepy bits, like when Art trick or treats at one girl’s house, but for the most part the MO is “how graphically can we kill this person?”, where you can practically hear the rowdy audience cheering Art on as he dismembers, slices, and occasionally even eats his victims. I’ve seen a million slashers with a crowd, and while there are certainly crowd-pleasing kills in some, the ones I prefer don’t have people hooting and hollering for *every* kill, as is clearly the intent here. Yes, Sienna is a good character, but she’s the only one that you wince for when they’re attacked by Art. And when that approach is spread across over two hours it’s just exhausting, at least to me.

So I dunno. Again, I’m happy for the film’s success, both for the team and for what it meant for other movies – there’s little chance I was later able to see Skinamarink or Malum in theaters if not for this film’s box office performance, as it proved audiences will show up without stars or big budgets (or even MPAA ratings, in this case). And it’s hardly a disaster or anything; there’s actually quite a bit to like as the kills are A+ on a technical level, the music is good, and the guy playing Art is an engaging presence. But after two entries, I think it’s safe to see that Leone and I are not on the same wavelength when it comes to pacing and (relatively speaking here) narrative for a slasher movie, and Terrifier 3 will have to be well south of two hours for me to even consider checking it out, theaters or not.

What say you?

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