SEPTEMBER 23, 2024
GENRE: THRILLER
SOURCE: THEATRICAL (REGULAR SCREENING)
If you’ve been to a movie in the past six months you’ve probably seen the trailer for Speak No Evil; if you go as often as I do you are probably more familiar with some of the film’s moments than you are with the faces of your own family members at this point. Which is kind of ironic, because it’s a remake of a film that isn’t all that old, and the film doesn’t really have much to it beyond its thrills, so the familiarity was a detriment to what was actually a solid nailbiter.
If you’ve somehow escaped the trailer (or, again, the original film – more on that soon), the plot is pretty simple: an American family (Mackenzie Davis, Scoot McNairy, and a daughter) makes the acquaintance of an English couple (James McAvoy and Aisling Franciosi) who has a single child of their own. They hit it off, the kids enjoy playing together, and everyone has a pretty good time. Then the Americans go home (to London, having moved for a job that ended up fizzling) and get an invite from Paddy (McAvoy) to join them for a weekend in their country home. Wanting a change of pace, they decide to go, despite some hesitations re: not really knowing them all that well. The first day goes smoothly enough, but Paddy and Louise (Davis) butt heads over their differing lifestyles (he hunts with a rifle, she’s a vegetarian, etc.), forcing Ben (McNairy) to constantly try to play peacekeeper. Eventually they cross a line that’s too much for Davis and she decides that they need to leave early, at which point it becomes clear why this film might end up on a site covering horror movies.
That said, as far as violence goes it’s still pretty tame even for a thriller. The order of the day here isn’t racking up a body count, but seeing how far writer/director James Watkins can push the tension BEFORE it erupts into violence. And thanks to McAvoy’s towering performance, it actually works quite well, as you get the idea he can suddenly kill any of them just as quickly and casually as he lets out an inappropriate comment or putdown. If you’ve seen the trailer you’re probably familiar with the “Cotton Eyed Joe” dance scene between the two kids, but the full version is truly terrifying as he gets angrier and angrier with his son’s inability to keep time. He's obviously played villains before, but he's in next-level mode here; the sort of role that might get name-checked among "great psychopath performances" down the road.
Honestly, the whole thing really hinges on McAvoy’s performance. Everyone’s good (Franciosi in particular has a tricky role in that you aren’t sure until very late if her Ciara is a true partner to her more outwardly evil husband or another of his victims), but this is all his show as he walks that fine line of being juuuuust weird enough to understand why Ben and Louise might not want to stay as long as originally planned but without going so far that they seem like idiots for not leaving even sooner. Of course, people have still decried the two for their actions, saying “Any normal person would have left already!” or whatever, but the script showcases how both of them are kind of afraid to do anything about anything (Louise won’t jump into the water with the rest, Ben won’t let her have it about a brief affair she had), so it tracks that they’d probably feel they were being rude by leaving.
Also, as a parent, I want to assure non-parents who have seen it that yes, we absolutely would go back for our child’s sacred “Lovey.” There’s a scene in the movie where they DO decide to finally leave due to something Ciara had done that unnerved them, only to turn back when they realize they forgot their daughter’s beloved stuffed bunny named Mr Hoppy. And then, after they discover Paddy’s true nature and try to make a calm escape so as not to enrage him, they see he has thrown the doll on the roof, forcing Ben to climb a rickety ladder to retrieve it. I’m sure childless audiences feel this is insane and they would just drive away, but nope. You wouldn’t believe how long I spent in the dark looking for my kid’s beloved Elmo doll when he dropped it during a walk many years back, so the idea of merely turning around to grab it from the bedroom of a house owned by some people I didn’t really gel with is certainly within the realm of possibility. And the ladder scene is Paddy trying to call their bluff; if Ben DIDN’T go out of his way to get the thing, now that it’s been established over and over how much the doll meant to their daughter, Paddy would have known right away that they knew his secret. So TLDR: it's not as dumb as critics would like you to believe.
Which brings us to the whole remake aspect, and you might want to skip the next two paragraphs if you haven’t seen either version, as there are spoilers for both! Yes, surprising no one, this version is much tamer than the Danish original, in which the bad guys won. That doesn’t happen here, but I didn’t mind it, because ultimately it’s a different kind of movie. The original was your typical dark/grim European thriller, most of which end on a downer, and while there’s nothing wrong with those, to me personally they often lack tension. Once we know how far they’ll go (in that case, the Paddy character kills his own son) there’s precious little reason to believe anyone else will make it out alive. Here, by repeatedly putting the heroes in danger, Watkins gives the movie a suspenseful edge that the original somewhat lacked, because there's simply more uncertainty.
That said (again we are still in spoiler territory here! Skip to next paragraph if you must!), Watkins maybe plays things a little TOO safe, in that the family not only escapes intact but barely even sustains any injuries (Ben hurts his foot a bit, that’s about as deep as it goes). Sure, this helps with the suspense element, because the husbands tend to die in these things and so you’re thinking it’s not a matter of if but when, but… you know, he doesn’t die. None of them do. I get not wanting to make it as bleak, but perhaps Watkins went a little too far in the other direction. It’s a good thing that McAvoy is so scary in the role just with his mannerisms and expressions, because the script curiously keeps him from doing all that much to our heroes, so a lesser actor/performance would have left the movie without any real threat at all for the most part.
Then again the script DOES let him angrily sing The Bangles’ “Eternal Flame” and it might be one of the best things I’ve seen in a theater all year, so forget what I said about its shortcomings. It is evened out!
For real though, this has been the only Blumhouse movie all year that I enjoyed without any real reservations. Sure, it could have retained at least SOME of the original’s darkness, but I can’t completely dismiss a movie that kept me fully engaged and gripping my armrest, anchored by an all timer performance by one of our more interesting modern actors. So without going so far as to say it’s an essential view, it’s another solid entry on Watkins’ filmography, and another chilling reminder of why we shouldn’t make friends with whoever we meet on vacation.
What say you?
P.S. You don't need the trailer again. Watch the Bangles video.
0 comments:
Post a Comment