Scanners (1981)

JANUARY 23, 2010

GENRE: MAD SCIENTIST
SOURCE: DVD (OWN COLLECTION)

I won’t name names, but I was surprised to hear how many people were more or less in agreeance with me that Scanners isn’t quite the classic I was expecting. I figured I’d get a “You’re an idiot!” or the old standby “But you like Armageddon” when I told folks that I was underwhelmed by it, but many of them replied “Yeah, cool idea, but...” or something along those lines. However, if David Cronenberg were to walk into the room just then and asked what we thought of it, we’d probably all tell him it was amazing. He’s Cronenberg! And he’s at a Mexican joint for some reason. Why spoil his mood?

(However, if he asked what we thought of Crash, I’d tell him it sucked. No way I could pretend to like that fucking thing.)

There are two reasons I was sort of “meh” on it. One - the headsplosion occurs in the first ten minutes, setting up a far more visual and gonzo movie than is actually delivered. Two - as is often the case with Cronenberg, the film lacks humor of any sort, which to me is not the best way to go about your story about dudes who can read minds and then blow up those minds. Some movies can have goofy plots but still work if the director takes it seriously (hell, Cronenberg himself did just that two years later with The Dead Zone), but Scanners’ story is SO goofy that I just kept wishing Dave would just loosen up and have some fun with it.

Back to the headsplosion - there’s a reason why it’s the most famous scene in the film - it’s the only one that’s memorable! Not a lot of folks are like “You know that scene in Scanners where the boring hero guy walks around a doctor’s office for a while?” Hell it’s only been a few hours and I’m already having trouble remembering anything else that stood out. The ending “battle” is pretty cool (I have a weak spot for veins, so seeing them bulge out AND squirting blood was pretty uncomfortable in a good way), but the resulting body-switch is pretty stupid, in my opinion.

I also didn’t dig on the fact that Michael Ironside disappears for most of the movie. The plot kicks into gear when the hero is recruited to take him down, but Ironside is absent for so long he never really feels like a real threat. By the time they DO meet up, the movie had already felt disappointing, and his return/subsequent battle wasn’t enough to save it.

And it’s a shame, because the concept is cool and the structure (save for Ironside’s absence) is fine. Good guy tries to find other scanners to help him, a love interest is worked in, there’s some car chases and an explosion or two, plus an “infiltrate the enemy headquarters” sequence. But it’s all done with Cronenberg’s usual cold, technical approach (not to mention his penchant for distractingly odd names - Braedon, Obrist, Revok, Trevellyan - none of these meet Microsoft Word’s criteria for a correctly spelled name!), and I just didn’t care about anyone on screen. Well, maybe the guy that I thought was Saul Rubinek, because I thought he was Saul Rubinek, but he died pretty quickly. And it wasn’t him anyway.

Incidentally, the reason I finally got around to watching the film in its entirety (I had seen bits and pieces over the years) was because I was invited to join some others for a viewing of Scanners 3: The Takeover the next day. Now, it’s probably not a BETTER film by any normal measure, but it’s certainly more fun. The villain is front and center (if anything, the HERO is the one who disappears for too much of the film), there are a lot of setpieces and unique deaths (it’s almost like a slasher at times, the evil scanner even has a few one-liners), and it doesn’t waste its best moment in the first 10 minutes (though it comes close - a scanner “mishap” causes a guy in a Santa outfit to plummet to his death in front of a little girl). Granted, Cronenberg’s film had more interesting ideas and less of a clichéd approach, but damned if the sequel doesn’t fit the bill of what comes to my head when I think of the ideal movie about guys with telepathy trying to kill each other. (I would offer a full review, but as I was with friends we were shooting the shit and mocking it, so I would hardly be able to speak on the film without just listing all the "cool" parts).

What say you?


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16 comments:

  1. Sweet, I'm so glad someone actually agrees with me that Scanners isn't really that great lol.

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  2. Haven't seen this one. But why the hell do you hate Crash?

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  3. Crash is just a boring, pointless film.

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  4. Yeah, Crash was terrible! I hated Matt Dillon.


    Just kidding. Actually I liked Cronenberg's Crash for how uncomfortable it made me feel plus the whole idea of crashing being a fetish was strangely interesting.

    As for Scanners I hold a special place for the film because it was my introduction to Cronenberg way back when. I think Scanners' biggest fault is that it just hasn't aged well for todays audiences and their expectations. Especially all you kids with your flashy FX and rapid fire editing!
    But seriously, it's better than The Brood. Now THAT was a boring, underwhelming film and my least favorite of Cronenberg's work.

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  5. No way, I love The Brood!!! That may be my favorite after The Fly. Oliver Reed always = win. As do mutant children.

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  6. I seem to have a problem with killer kid movies because I can't see them as a serious threat at all and like you said with Scanners, Cronenberg doesn't give any kind of humor to the situation so it makes it even harder to accept. They looked creepy and all but meh.

    I agree though The Fly is just great and is permanently sandwiched between Shivers and my all time favorite of all time Cronenberg film, Videodrome.

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  7. SCANNERS is easily my *least* favorite Cronenberg. Even his first two films out of the gate, SHIVERS and RABID, are more interestingly done, and better acted. The lead in SCANNERS is so poor he ruins the rest of it. I love all his other stuff though, CRASH included. I even think he's reaching an all-time high with his recent non-genre dramas.

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  8. I saw Scanners in the theater when it originally came out. I only remember the headsplosian and the fact that I fell asleep during the flick. Also, did you use 'agreeance' as a joke or did you really mean 'agreement'?

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  9. I looked it up when Microsoft told me it was spelled wrong, but it IS a (sort of) word!

    http://dictionary.reference.com/browse/agreeance

    (considered obsolete!)

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  10. I freking love Scanners, the ending is amazing and more memorable then the head explosion, and I did not think the plot was goofy at all. Scanners rocks, a lot.

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  11. I watched Scanners when I was younger and was blown away, then a year or so ago with a buddy who hadn't seen it and fell asleep. I think it's ripe for a kick as remake!

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  12. I have not seen the movie yet. It was released before my born. I have seen the trailer and i hope the movie will be enjoyable. But i dont understand why measuring the standard of a film after so many years. It may be great to those who loved it. May not great to those who have not seen the whole film or not at all.

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  13. I love Ironside in it and I like a lot of it (including the ending) but as a whole it's not great. The biggest problem is definitely the lead. He's so realistic looking that you almost believe he's not made of wood! That said, I still find it to be a lot of fun. It's absolutely one of Cronenberg's lesser flicks, but even lesser Cronenberg is interesting and entertaining...

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  14. I was expecting so much more from Cronenberg. I love most of his other works (especially Videodrome and Dead RIngers.) I agree that this one just falls short

    http://dailycommentator.blogspot.com/

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  15. Ugh, Crash. I still can't make it all the way through that movie.

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  16. Yeah, it hasn't aged real well - for some reason, I do think that his earlier horror movie "Shivers" holds up pretty dang well. (Of course, I like a lot of his other movies too and also think that Rabid is fairly awful, and more or less a not-as-interesting version of Shivers.)

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