OCTOBER 20, 2024
GENRE: PSYCHOLOGICAL, SUPERNATURAL
SOURCE: THEATRICAL (REGULAR SCREENING)
In just about every way that matters, Smile 2 actually improves on the original film, which is a pretty good feat for any horror sequel, let alone one that’s following a movie that was itself a winner to begin with (comparatively, the reviews praising Winnie the Pooh 2 as an improvement on the original are not exactly saying much). But obviously, the novelty of its central gimmick has worn off some, so if you haven’t seen it yet and plan to, I urge you not to make the same mistake I did and rewatch the original a day before, because the déjà vu won’t help.
And really, as long as you remember the concept, you don’t need a refresher anyway. The opening scene (presented as one long shot) gives us the only link the movie really has to the first one, with survivor Joel (Kyle Gallner) at the end of his 6-7 day curse and deciding to at least pass it on to someone who deserves to die (a meth dealer, in this case). Things go awry and the curse ends up passed to a guy who was at the meth dealer’s house to buy some for himself, and THAT dude passes it to our new hero: Skye Riley.
Skye is played by Naomi Scott, an actual pop star/actress, and her character is far more interesting than the original’s therapist, who was sympathetic enough but just not a particularly compelling character (the question to always ask is: would I watch a movie about this person even without the horror aspect?). Not the case here; Skye is a recovering addict who unfortunately messed up her back in a car accident that killed her famous actor boyfriend, and needs to go through shady local dealers to score Vicodin to deal with the pain, because she can’t get a prescription anymore. We spend a lot of time showing how draining it can be being a pop star; yes you’re rich and blah blah blah, but you also feel the weight of everyone who is relying on you to make their own living – if the back pain and, then, mental turmoil of being cursed by smiling ghost people no one else can see take enough of a toll that she has to cancel the tour, that puts so many people out of work, not to mention ruins her reputation within the business as a whole.
And similarly, the entire movie hinges on Scott, who (outside of Gallner’s opening) is in every scene and just about every shot within those scenes. There’s a brief exception that felt weird at the time and feels even weirder given a later reveal (more on that later) where she walks out of the room and her friend (Dylan Gelula) has a brief encounter with Skye’s mother/manager (Rosemarie DeWitt), but otherwise every single thing we see is from her POV. If she doesn’t hear it/witness it with her own eyes, we don’t see it either. This adds to the intensity immensely, so even though we are familiar with this demon’s tricks, it still manages to be quite effective in that department.
Those who are hoping to find out more about this entity will be disappointed, however. We don’t get anything new; if anything the script seems to be geared towards those who saw the original and have retained what little we learned there. At around an hour or so we meet a character whose brother was one of the previous victims that Rose and Joel tracked backwards from their own experience, and he just kind of quickly sums up the “After a week you kill yourself in front of someone and they will be cursed in turn” concept, but it’s a Cliffs Notes version that seems more of a quick reminder instead of a full explanation for those who might be newcomers. But that’s a good thing! Writer/director Parker Finn seems to understand that the more a monster is explained, the less scary it is, but there are always people out there who want those kind of explanations. So to them I say: stay home and be wrong there!
That said, the movie also lacks a moment as horrific as the cat scene in the original. For me, the most unnerving thing was a scene where Skye was in a hospital bed hooked up to an IV drip, and then the ghost thing showed up so she tried to escape. The repeated closeups of her tugging on the needle in her arm really icked me out, as not only am I petrified of embolisms, but when I was in the hospital the nurse messed up and caused some brief nerve damage in my arm for like a week, so the memories of that came flooding back as she yanked on this (apparently very secure!) needle in her own arm. Gah!
My other main issue requires a spoiler, so skip this and the next paragraph if you don’t want to know details about the movie’s ending. Before I get into it I will say that it mostly improves on the original’s ending (which borderline angered me), and the actual last shot is an all timer, so it’s not a total loss. However, it involves a reveal that a certain chunk of the movie was actually hallucinated, but doesn’t make it clear WHEN this switch occurred. And did none of it in that section actually happen, or just the more horrific parts? I’m fine with not explaining the demon’s origins, but I definitely would have appreciated a sort of Saw-esque montage explaining how things were really playing out all that time.
And (again, skip this one if you don’t want spoilers) as I mentioned earlier, this causes an odd thing with that earlier scene with Gelula and DeWitt, because one of the movie’s big reveals is that the former character was the entity in disguise the entire time, so it doesn’t make sense that she was able to interact with Skye’s mom, making it feel like a bit of a cheat on top the aforementioned disruption to the whole “all through Skye’s eyes” approach. Also, the reason Gelula’s BFF character isn’t actually around is because her and Skye had a major blowout a year or so before, and there’s never any real explanation for what caused their fight. Not that it’s essential to the proceedings, but it felt like something designed to be a reveal that never came. (That said, as someone who loves when old text messages actually show up on people’s phones in movies, their last messages to each other, capping off their fight, are HILARIOUS.)
Those quibbles aside, I was pleasantly surprised how much I enjoyed it, not even noticing that it was over two hours long (something I grumbled about prior to my arrival at the theater). As the first film was compared to The Ring, it’s not hard to imagine a scenario where this was a total disaster like that film’s sequel was, so the fact that it actually improved on it in several ways is remarkable. And that the climax recalled another recent genre film of note (can’t say which one without spoiling them both, though I can say I really liked that one too but got too busy to ever get around to reviewing it) was a delightful bonus. Furthermore, for whatever it’s worth: Skye Riley > Lady Raven.
What say you?
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